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Mixing Secrets for the Small Studio (Sound On Sound Presents...)

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The text also expands on Mike's own wealth of experience and knowledge with numerous relevant quotes and opinions from over 100 of the world's best-known engineers and producers. I never considered the intricacy of the physics of audio and rooms and how that plays such an important part in building a foundation for music production.

So, I decided to review the book based primarily on his “mission statement” if you will, in the introduction.The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. As a student with a classical background in a class full of people with either experience playing electric instruments or experience in music technology, I found myself confused and dragging behind. This is specific to mixing and not the whole process of recording, but is incredible in both its practicality and its readability. I also liked the insight presented in the form of quotations by some of the very best in the recording business.

Usefully, every chapter concludes with a 'Cut to the Chase' section summarising the key techniques and 'secrets', along with an 'Assignment' section detailing practical exercises to hone new‑found skills. Regular Sound On Sound readers will already be familiar with Mike Senior's contributions to the ever‑popular Mix Rescue series, as well as his occasional (and usually lengthy! And if you're not already an experienced engineer, much of the advice and terminology may go over your head, particularly towards the latter chapters of the book. For a person with a limited budget who is willing to put in the time to work through Mike’s lesson plan, Mixing Secrets is an invaluable resource.He includes quotes from many heavy-weight producers and engineers, and also mentions songs which demonstrate the techniques he's discussed. The main meat of the book is contained in Part 3, where eight chapters cover the nitty‑gritty of compression, equalisation, side‑chains and the fundamental art of balancing. The 340‑page book contains 20 chapters grouped into four main sections covering hearing and listening, mix preparation, balancing, and sweetening. htm), with numerous illustrative audio files, links to recommended software and other resources, and — most impressively — a wide variety of high‑quality bespoke multitrack material to enable readers to practice and develop their mixing skills and processing techniques.

Mike Senior: Mixing Secrets for the Small Studio (book) | Tape Op Magazine | Longform candid interviews with music producers and audio engineers covering mixing, mastering, recording and music production. The final section comprises five chapters dealing with mix sweetening techniques, including the application of reverbs and delays, stereo processing and other effects, bus compression, and the use of mix automation.And all the while, what he's saying is presented in a way that invites you to try his methods, all of which are quite sound (no pun intended, but there it is). I would imagine most of our readers are familiar with the Mellotron, a tape-playing keyboard that became popular in the late '60s on songs like The Beatles' "Strawberry Fields Forever.

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