Bodies: Life and Death in Music
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some of the reviews I'd read gave the impression of a disjointed narrative, or disapointment that there weren't more a-list celeb anecdotes in here. The writing style sometimes got to me — at times too formal/archaic in tone and every now and then unnecessarily paraphrasing a lyric at the end of a paragraph. The author is clearly great friends with Frank Turner and he show horns the singer into so many pages it’s hilarious.
At least until, distressingly, the author's familial narrative comes crashing down, adding yet more fuel to a blaze of self-immolation. Photograph: Anders Birch/ROCKPHOTO/EPA View image in fullscreen Motörhead’s frontman Lemmy, whose voice had the ‘rattle of someone thirsty for air’. obsessed days and his latest book draws on many of the interviews he conducted in that time and since.It was certainly the least to acknowledge that some idols (Bowie, Prince, Steven Tyler, Iggy Pop, Jimmy Page just off the top of my head) did some extremely shady (illegal? Gutting details, triumphant moments that anyone in the field will have latched to after their first byline, but without the impressive addition of actually meeting the bandmates as Winwood often does.
I really enjoyed the author’s forays into memoir, especially the unbelievable and unjust experience with his dad. The author recounts, in suitably harrowing detail, his own drug-fueled misadventures in music journalism and self-destructive nihilism.To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. NFL give youngsters schooling in how to handle the change of fame and money - maybe record labels should be looking at a similar idea to ensure that artists aren’t always left to drink themselves to death - when Duff McKagan can be a better role model and support network, you know you should be looking at yourselves when taking your profit share… and please stop with the rock and roll industry misogyny already! The question of what the music industry does next is one it’s started to answer incrementally, concludes a three-years sober Ian, though it’s happened all too slowly. Ian Winwood is a music journalist whose work has appeared in the Daily Telegraph, the Guardian, Kerrang! Hotjar sets this cookie to know whether a user is included in the data sampling defined by the site's pageview limit.
This interview is generally considered to be fiction of the journalist and to have never actually occurred.Publication dates are subject to change (although this is an extremely uncommon occurrence overall).